Something about the traditional dances performed at the Youth Day celebrations in Big Bekondo was awfully reminiscent of music videos. While I recognize that the young people of even a remote Cameroonian village are influenced by North American pop culture (e.g. a young man playing Shania Twain music videos non-stop on the television in his tiny one-room abode in Kumba--a room he shares with a brother and sister), I suspect most of what looks familiar is going the other direction. Given how strongly African Americans feature in the genesis of rap and hip-hop music, I figure the moves these village kids make which bring to mind those performed by pop music dancers back home likely originate here in Africa, not in minds on North American soil.
--Presented at a CAWG event in Altona -- In Living More with Less , Doris Janzen Longacre shares a story about envelopes from Marie Moyer, a missionary in India, who was studying Hindi with Panditji. Marie writes: “From his philosophic mind, which probed the meaning of events and circumstances, I learned more than Hindi.” Just before her teacher’s arrival one day before Christmas, she’d received and opened a pile of Christmas cards and discarded the envelopes as he walked in the room. She writes: “He sat down soberly and studied the situation, then he solemnly scolded me: ‘the reverberation of this wasteful act will be felt around the world’.” Marie was stunned. “What do you mean?” she asked him. “Those envelopes,” he said, pointing to the wastebasket. “You could write on the inside of them.” “Chagrined”, Marie apologized and rescued the envelopes with the help of Panditji, who “caressed each one” as he pulled it out of the garbage. This forever changed Marie’s relationship to p...
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