In all fairness, I should admit that most of the goats are tied up, but given how many goats there are in the village, the handful that end up on the loose make an impression. Invariably these fugitive goats drag their tie rope behind them. One day I took a close look at a tied goat and realized why the former exist: he was tied to a tuft of grass.
“There’s no accounting for taste.” That’s my dad’s favourite way of explaining personal tastes that are incomprehensible to him, like living downtown, and riding bike in winter. The inexplicable factors which determine an individual’s likes or dislikes are probably the only way I can explain why my favourite nativity scene contains a horribly caricatured black magus, a random adoring child attired – to my fancy – like a Roma person, an old shepherd carrying some sort of blunderbuss. And a haloed holy family with an 18-month-old baby Jesus. This is the "Christmas Manger Set – the Christmas story in beautiful cut-out scenes and life-like figures." See how the 1940s-era family admires the realistic flourishes, like raw wood beams and straw protruding from the edge of the roofline; the rough, broken wood of the stalls; the tasselled camels; the richly dressed magi; the woolly sheep; the Bethlehemites on the path in the background, ostensibly out to get water, judging...
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